Bright Wall Dark Room
The Heart Is The Target Skyfall (2012)
A Slap On The Back And Heavy Mist Before The Eyes The Philadelphia Story
Angel Trumpets and Devil Trombones Stanley Kubrick’s A Clockwork Orange
What Makes A Man The Coen Brothers’ The Big Lebowski
History of the Future Wim Wenders’ Until the End of the World
You Love Russia, Don’t You? Woody Allen’s Love and Death
Les enfants terribles: Wes Anderson’s The Royal Tenenbaums
Shrinking the Spotless Mind Hitchcock’s Spellbound
ThisRecording
In Which Pedro Almodovar Is Both Violator and Violated The Skin I Live In
In Which These Are Sisters In Disguise Catherine Deneuve and Françoise Dorléac
In Which It Is The Danger Our Mothers Warn About Cher
In Which We Treat With The Alien The Phenomenon That Is Tilda Swinton
In Which We Are Feeling A Little More Solipsistic Than Usual Woody Allen’s New York
In Which We Are A Commodity To All Who Love Us Broken Embraces
In Which Summer Reading Lasts As Long As You Want It To
In Which We Find A Romance To Fulfill Us Deeply on Audrey Hepburn
In Which We Reveal Our Deadly Intentions Madness and Tennessee Williams
In Which You Played The Game Now Witness The Result Altman’s The Player
In Which We Stumble Across Fifth Avenue The International and 1970s thrillers
In Which Sometimes The Moves Do Not Make The Man Prince, Madonna and Tina in the 80s
In Which We Ask Ourselves Are We Young Enough Young Hollywood
In Which Indiana Jones Starts A Punch-Up In A Soda Shop
In Which We Make Our Way Down The Rabbit Hole Julia Cameron’s The Artist’s Way
In Which We Want To Lick Him All Over
InTreatment, season one:
In Which Karen’s Thanksgiving Is A Hell Of A Lot More Interesting Than Yours
In Which Our Childhood Series Reaches Its Penultimate Moment from Cherry Hill to Dublin and back
BigThink
